Viewing vs.Reading The pace of reading, clearly,depends entirely upon the reader. He may read as slowly or as rapidly as he can or wishes to read. If he does not understand something, he may stop and reread it, or go in search of elucidati

                Viewing vs.Reading

       The pace of reading, clearly,depends entirely upon the reader. He may read as slowly or as rapidly as he can or wishes to read. If he does not understand something, he may stop and reread it, or go in search of elucidation before continuing. The reader can accelerate his pace when the material is easy or less than interesting, and slow down when it is difficult or absorbing. If what he reads is moving, he can put down the book for a few moments and cope with his emotions without fear of losing anything.     The pace of the television experience cannot be controlled by the viewer; only its beginning and end are within his control as he clicks the knob on and off. He cannot slow down a delightful program or speed up a dreary one. He cannot "turn back" if a word or phrase is not understood. The pro-gram moves inexorably forward, and what is lost or misunderstood remains so.     Nor can the television viewer readily transform the material he receives into a form that might suit his particular emotional needs, as he invariably does with material he reads.The images move too quickly. He cannot use his own imagination to invest the people and events portrayed on televisionwith the personal meanings that would help him understand and resolve relationships and conflicts in his own life~ he is under the power of the imagination of the show's creators. In the television experience the eyes and ears are overwhelmed with the immediacy of sights and sounds.     If someone enters the room while one is watching television--a friend, a relative, a child, someone, perhaps, one has not seen for some time--one must continue to watch or one will lose the thread. The greetings must wait, for the television program will not. A book, of course, can be set aside,with a little regret, perhaps, but with no sense of permanent loss.
标题：查看vs.Reading（看电视与阅读）
内容：查看vs.Reading的阅读速度，显然，取决于读者完全。他可以理解为缓慢或尽快或希望他能阅读。如果他不明白的地方，他可能会停止并重新读取它，或去搜索在继续之前澄清。读者可以加快他的速度时，材料是容易还是比有趣以下，减缓时，困难或吸收。如果他正在读，他可以放下了一会儿书，并配合他的情绪不害怕失去任何东西。在电视经验的速度不能控制观众，仅有的开始和结束了他的控制范围内，他按下旋钮和关闭。他不能放慢一个愉快的程序或加快1凄凉的。他不能“回头”如果一个单词或词组不理解。亲克不可避免地向前移动，以及丢失或者误解依然如此。也不能轻易改变电视观众的材料，他为一种可能适合他的特殊感情需要接收，与物质上他总是没有他reads.The图像移动太快。他不能用自己的想象力，投资人民和televisionwith的个人意义，这将有助于他了解和解决关系和自己的生活描绘成冲突事件?他下了节目的创作者的想像力权力。在电视体验的眼睛和耳朵，均与视觉和听觉的即时不知所措。如果有人进入房间，一人看电视 - 一个朋友，一个亲戚，一个孩子，一个人，也许，一个有一段时间没有看到 - 一个必须继续观看或将失去一个线程。的问候，必须等待电视节目，不会。当然本书，可以摆在一边，一点点遗憾，也许，但没有永久的失落感。

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